Remember, to Henry Holiday The Hunting of the Snark was a tragedy.
549 “It’s a Snark!” was the sound that first came to their ears,
550 And seemed almost too good to be true.
551 Then followed a torrent of laughter and cheers:
552 Then the ominous words “It’s a Boo-”
553 Then, silence. Some fancied they heard in the air
554 A weary and wandering sigh
555 That sounded like “-jum!” but the others declare
556 It was only a breeze that went by.
There was fire and fury when Thomas Cranmer was burned at the stake on March 21st, 1556. However, on that day the fury came before the fire: The stage was set at St Mary’s church in Oxford for his seventh recantation which was expected to confirm the previous six recantations. Nevertheless, his adversaries already shuddered to think that the chase might fail, and their fears became true: He is waving his hands, he is wagging his head. He has certainly found a Snark! On his last day, Cranmer revoked all his previous recantations. “And forasmuch as my hand offended in writing contrary to my heart, therefore my hand shall first be punished; for if I may come to the fire, it shall be first burned.” Henry Cole furiously ordered to silence him and Cranmer was dragged from the stage. Then, at the stake and as announced, Cranmer first burned his hand for having signed all those previous recantations. He made sure that his final statment would not be memorized as only a breeze that went by.
Sources of the artwork assembled in this comparison image:
- Faiths Victorie in Romes Crueltie (published by Thomas Jenner, c. 1630). Immediately to the right side of the fire, Thomas Cranmer is depicted burning his hand.
License: CC BY-SA 4.0.
Source: Folger Digital Image Collection
Changes: Only the image part of the original print has been reproduced using 15 gray shades.
- Henry Holiday’s illustration to the chapter The Vanishing in Lewis Carroll’s The Hunting of the Snark (1876). The complete illustration is on the lower right side. A 135° rotated detail from that illustration has been rendered on the lower left side of this comparison image.
Source: 1st edition of The Hunting of the Snark
Changes: Bright areas have been widened using the “erode” function of GIMP.
This is about my assumption that there are pictorial and textual allusions to Thomas Cranmer in Lewis Carroll’s and Henry Holiday’s tragicomical ballad The Hunting of the Snark.
In The annotated … Snark, Martin Gardner wrote about Henry Holiday’s illustration to the last chapter of Lewis Carroll’s The Hunting of the Snark:
Thousands of readers must have glanced at this drawing without noticing (though they may have shivered with subliminal perception) the huge, almost transparent head of the Baker, abject terror on his features, as a giant beak (or is it a claw?) seizes his wrist.
I think, there is neither a beak nor a claw.
It is a fire.
The Hunting of the Snark has been published by Rev. C. L. Dodgson (Lewis Carroll) in 1876. The Illustrator was Henry Holiday. In a handwritten remark by Holiday at the bottom of a page from a letter of Lewis Carroll, Holiday categorized Carroll’s Snark as a “tragedy” (image source: PBA Galleries). Please understand the image and this comment in that sense: My assumtions regarding religious issues being addressed in The Hunting of the Snark are not meant to make fun of religion. Carroll’s long Snark poem is funny and tragical at the same time.
I think that Henry Holiday’s illustration contains an allusion to Thomas Cranmer’s burning – when Cranmer met the Boojum after his own Snark hunt. This detail in Henry Holiday’s illustration could have accompanied a textual allusion by Lewis Carroll to Thomas Cranmer’s burning at the stake as well as to his Forty-Two Articles. Surely the Reverend Dodgson (aka Lewis Carroll) knew the Forty-Two Articles. As far as I know, Dodgson also refused to subscribe to the Thirty-Nine Articles and thus could not become an ordinated priest.
In Lewis Carroll’s The Hunting of the Snark, The Baker is introduced with more lines than any other member of the Snark hunting party. There probably are references to Thomas Cranmer (four “burned” names and forty-two boxes), to St. Macarius (hyenas) and to St.Corbinian (bear):
021 There was one who was famed for the number of things
022 He forgot when he entered the ship:
023 His umbrella, his watch, all his jewels and rings,
024 And the clothes he had bought for the trip.
025 He had forty-two boxes, all carefully packed,
026 With his name painted clearly on each:
027 But, since he omitted to mention the fact,
028 They were all left behind on the beach.
029 The loss of his clothes hardly mattered, because
030 He had seven coats on when he came,
031 With three pairs of boots–but the worst of it was,
032 He had wholly forgotten his name.
037 While, for those who preferred a more forcible word,
038 He had different names from these:
039 His intimate friends called him
040 And his enemies
041 “His form is ungainly–his intellect small–”
042 (So the Bellman would often remark)
043 “But his courage is perfect! And that, after all,
044 Is the thing that one needs with a Snark.”
049 He came as a Baker: but owned, when too late–
050 And it drove the poor Bellman half-mad–
051 He could only bake Bridecake–for which, I may state,
052 No materials were to be had.
As for missing material for bridecake, we can assume that no brides were to be had on board of the Snark hunters’ vessel.